Facing the Monumental
Rebecca Belmore is one of the most important contemporary artists working along the border of art and politics today. Her poetic and beautiful works respond to the pressing issues of our time, including water and land rights, women’s lives and dignity, violence against Indigenous people by the state and police, and the role of the artist in contemporary life.
Event/Exhibition meta autogenerated block.
February 1, 2019 – May 12, 2019
Rebecca Belmore: Facing the Monumental, organized by the Art Gallery of Ontario, surveys Belmore’s more than 30-year career and includes sculptures, installations, photographs, and performance-based works, as well as new works. Remai Modern is pleased to have lent a significant work from its collection to the exhibition, the large-scale textile installation blood on the snow (2002).
Belmore’s diverse yet cohesive body of work has voiced an ethos of remembering the forgotten, listening to the marginal, speaking the silenced, and facing the monumental with passion, beauty, intuition, strength and humility.
The exhibition is organized by the Art Gallery of Ontario and curated by Wanda Nanibush, Curator, Indigenous Art. Remai Modern’s presentation of the exhibition is organized by Rose Bouthillier, Curator (Exhibitions).
A member of Lac Seul First Nation (Anishinaabe), Rebecca Belmore is an internationally recognized multidisciplinary artist currently residing in Toronto. Rooted in the political and social realities of Indigenous communities, Belmore’s works make evocative connections among bodies, land and language. Her exhibitions: include Biinjiya’iing Onji (From Inside), documenta 14 (2017); KWE: The Work of Rebecca Belmore, Justina M. Barnicke Gallery (2011); Rebecca Belmore: Rising to the Occasion, Vancouver Art Gallery (2008); and Fountain, Venice Biennale (2005). Performances include: Facing the Monumental (2012); Victorious (2011); X(2010); Vigil (2002); Wild (2001), and Creation or Death We Will Win (1991). Belmore’s sculptures and installations include Wave Sound, Parks Canada, 2017; Trace, Canadian Museum for Human Rights (2014), and Ayum-ee-aawach Oomama-mowan: Speaking to Their Mother, (performances 1991, 1992, 1996 and 2008). Belmore received the Governor General’s Award in Visual and Media Arts in 2013, the Hnatyshyn Visual Arts Award in 2009, the Jack and Doris Shadbolt Foundation’s VIVA Award in 2004, and Honourary Doctorates from Emily Carr (2017) and OCADU (2005). Also in 2005, she was Canada’s official representative at the Venice Biennale. In 2016, Rebecca was awarded the prestigious Gershon Iskowitz Prize by the Gershon Iskowitz Foundation in partnership with the Art Gallery of Ontario.